The Project returns to the great (or not-so-great, depending on your point of view) Northeast to tackle Wissinoming's St. Bartholomew. I've heard a lot of chatter about St. Bart's. The largest church in Archdiocese, they say. The longest aisle in the Archdiocese. Blah, blah blah.
You'd think I'd learn by now to mostly ignore John Q. Churchgoer, but like a cat, our curiosity always get the better of us. When someone makes a claim about a church, we simply have to either prove or disprove it, no matter how ridiculous it seems.
So, let's set the record straight--with an extra special emphasis.
With all due respect to St. Bart's, there is no larger church--repeat after me: No. Larger. Church--than East Germantown's Immaculate Conception. Not the Basilica. Not St. Martin of Tours. And most certainly not this tweener concoction. If anyone tells you differently, kick them in the shins for us.
That isn't based on any scientific measurement, mind you. Just our own eyes and our own perception. But it's guaranteed 100% accurate, or your money back.
(Not that you want to necessarily be the largest. Immaculate's size poses a huge problem--pun intended--for its neighborhood. When the place inevitably goes under--and knowing the Archdiocese, it will sooner rather than later--that neighborhood is going to have planet-sized black hole that it may never recover from. Who's going to buy a church that size? Nobody, that's who.)
Anyway, I digress.
So what does St. Bartholomew bring to the table? Well, it may not be the biggest, but it's still a very large tweener that has the distinction of being the first Italian-Renaissance variation we've seen.
By that, I mean that most tweener churches tend to be vaguely Romanesque in character. Very large, lots of stone, not necessarily dripping with ornamentation. Perfect for keeping costs down in that nebulous1950s buffer zone.
Not here, though. St. Bart's is a tweener by way of Italian-Renaissance design. You can see it for yourself in the design, from the pediment-topped exterior face and pediment-shaped window and side-altar frames. Not to mention a surprisingly impressive red, white and gold baldachin. Add in some large and not-ugly profile stained glass windows, excellent woodwork and the aforementioned excellent size and scope, and you have a church that exceeds far more than it has any right to.
That's not to say it's perfect, of course. The plaster is largely unadorned, especially in the large transepts, so there's definitely a very spartan vibe. And the organ, if they have one, is unseen.
But for a church that dates to 1955, this is far nicer than any of its contemporaries. And as the latest tweener, date-wise, it's safe to say St. Bartholomew was the last respectable church built within the city of Philadelphia.
Not bad for a forgotten parish in the middle of a dying neighborhood, no?
LOOK FOR IT: The nave windows are perfectly rectangular. We've seen gothic pointed windows and circular windows, but never before a complete set of rectangular windows. A first for us.
Overall Size: 9 out of 10
Overall Design Rating: 7.5 out of 10
Overall Design Rating: 8 out of 10 crosses